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Loved To Death

{ PHANTASM } Veneration of Light Limited Photo Print

{ PHANTASM } Veneration of Light Limited Photo Print

Regular price $39.00
Regular price Sale price $39.00
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Size

- 10" X 8" or 14" X 11"

- 10" X 8" are Limited Run of 50 - Glossy Archival Paper
- 14" X 11" are Limited Run of 25 - Semi Gloss Archival Paper
- Each print comes in an acid free resealable sleeve with a signed and numbered certificate of authenticity 

𝘐
𝘛𝘩𝘺 𝘴𝘰𝘶𝘭 𝘴𝘩𝘢𝘭𝘭 𝘧𝘪𝘯𝘥 𝘪𝘵𝘴𝘦𝘭𝘧 𝘢𝘭𝘰𝘯𝘦
’𝘔𝘪𝘥 𝘥𝘢𝘳𝘬 𝘵𝘩𝘰𝘶𝘨𝘩𝘵𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘨𝘳𝘢𝘺 𝘵𝘰𝘮𝘣𝘴𝘵𝘰𝘯𝘦—
𝘕𝘰𝘵 𝘰𝘯𝘦, 𝘰𝘧 𝘢𝘭𝘭 𝘵𝘩𝘦 𝘤𝘳𝘰𝘸𝘥, 𝘵𝘰 𝘱𝘳𝘺
𝘐𝘯𝘵𝘰 𝘵𝘩𝘪𝘯𝘦 𝘩𝘰𝘶𝘳 𝘰𝘧 𝘴𝘦𝘤𝘳𝘦𝘤𝘺.

𝘐𝘐
𝘉𝘦 𝘴𝘪𝘭𝘦𝘯𝘵 𝘪𝘯 𝘵𝘩𝘢𝘵 𝘴𝘰𝘭𝘪𝘵𝘶𝘥𝘦,
𝘞𝘩𝘪𝘤𝘩 𝘪𝘴 𝘯𝘰𝘵 𝘭𝘰𝘯𝘦𝘭𝘪𝘯𝘦𝘴𝘴—𝘧𝘰𝘳 𝘵𝘩𝘦𝘯
𝘛𝘩𝘦 𝘴𝘱𝘪𝘳𝘪𝘵𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘥𝘦𝘢𝘥 𝘸𝘩𝘰 𝘴𝘵𝘰𝘰𝘥
𝘐𝘯 𝘭𝘪𝘧𝘦 𝘣𝘦𝘧𝘰𝘳𝘦 𝘵𝘩𝘦𝘦 𝘢𝘳𝘦 𝘢𝘨𝘢𝘪𝘯
𝘐𝘯 𝘥𝘦𝘢𝘵𝘩 𝘢𝘳𝘰𝘶𝘯𝘥 𝘵𝘩𝘦𝘦—𝘢𝘯𝘥 𝘵𝘩𝘦𝘪𝘳 𝘸𝘪𝘭𝘭
𝘚𝘩𝘢𝘭𝘭 𝘰𝘷𝘦𝘳𝘴𝘩𝘢𝘥𝘰𝘸 𝘵𝘩𝘦𝘦: 𝘣𝘦 𝘴𝘵𝘪𝘭𝘭.

𝘐𝘐𝘐
𝘛𝘩𝘦 𝘯𝘪𝘨𝘩𝘵, 𝘵𝘩𝘰’ 𝘤𝘭𝘦𝘢𝘳, 𝘴𝘩𝘢𝘭𝘭 𝘧𝘳𝘰𝘸𝘯—
𝘈𝘯𝘥 𝘵𝘩𝘦 𝘴𝘵𝘢𝘳𝘴 𝘴𝘩𝘢𝘭𝘭 𝘭𝘰𝘰𝘬 𝘯𝘰𝘵 𝘥𝘰𝘸𝘯
𝘍𝘳𝘰𝘮 𝘵𝘩𝘦𝘪𝘳 𝘩𝘪𝘨𝘩 𝘵𝘩𝘳𝘰𝘯𝘦𝘴 𝘪𝘯 𝘵𝘩𝘦 𝘩𝘦𝘢𝘷𝘦𝘯,
𝘞𝘪𝘵𝘩 𝘭𝘪𝘨𝘩𝘵 𝘭𝘪𝘬𝘦 𝘏𝘰𝘱𝘦 𝘵𝘰 𝘮𝘰𝘳𝘵𝘢𝘭𝘴 𝘨𝘪𝘷𝘦𝘯—
𝘉𝘶𝘵 𝘵𝘩𝘦𝘪𝘳 𝘳𝘦𝘥 𝘰𝘳𝘣𝘴, 𝘸𝘪𝘵𝘩𝘰𝘶𝘵 𝘣𝘦𝘢𝘮,
𝘛𝘰 𝘵𝘩𝘺 𝘸𝘦𝘢𝘳𝘪𝘯𝘦𝘴𝘴 𝘴𝘩𝘢𝘭𝘭 𝘴𝘦𝘦𝘮
𝘈𝘴 𝘢 𝘣𝘶𝘳𝘯𝘪𝘯𝘨 𝘢𝘯𝘥 𝘢 𝘧𝘦𝘷𝘦𝘳
𝘞𝘩𝘪𝘤𝘩 𝘸𝘰𝘶𝘭𝘥 𝘤𝘭𝘪𝘯𝘨 𝘵𝘰 𝘵𝘩𝘦𝘦 𝘧𝘰𝘳 𝘦𝘷𝘦𝘳.

𝘐𝘝
𝘕𝘰𝘸 𝘢𝘳𝘦 𝘵𝘩𝘰𝘶𝘨𝘩𝘵𝘴 𝘵𝘩𝘰𝘶 𝘴𝘩𝘢𝘭𝘵 𝘯𝘰𝘵 𝘣𝘢𝘯𝘪𝘴𝘩,
𝘕𝘰𝘸 𝘢𝘳𝘦 𝘷𝘪𝘴𝘪𝘰𝘯𝘴 𝘯𝘦’𝘦𝘳 𝘵𝘰 𝘷𝘢𝘯𝘪𝘴𝘩;
𝘍𝘳𝘰𝘮 𝘵𝘩𝘺 𝘴𝘱𝘪𝘳𝘪𝘵 𝘴𝘩𝘢𝘭𝘭 𝘵𝘩𝘦𝘺 𝘱𝘢𝘴𝘴
𝘕𝘰 𝘮𝘰𝘳𝘦—𝘭𝘪𝘬𝘦 𝘥𝘦𝘸-𝘥𝘳𝘰𝘱 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘨𝘳𝘢𝘴𝘴.

𝘝
𝘛𝘩𝘦 𝘣𝘳𝘦𝘦𝘻𝘦—𝘵𝘩𝘦 𝘣𝘳𝘦𝘢𝘵𝘩 𝘰𝘧 𝘎𝘰𝘥—𝘪𝘴 𝘴𝘵𝘪𝘭𝘭—
𝘈𝘯𝘥 𝘵𝘩𝘦 𝘮𝘪𝘴𝘵 𝘶𝘱𝘰𝘯 𝘵𝘩𝘦 𝘩𝘪𝘭𝘭,
𝘚𝘩𝘢𝘥𝘰𝘸𝘺—𝘴𝘩𝘢𝘥𝘰𝘸𝘺—𝘺𝘦𝘵 𝘶𝘯𝘣𝘳𝘰𝘬𝘦𝘯,
𝘐𝘴 𝘢 𝘴𝘺𝘮𝘣𝘰𝘭 𝘢𝘯𝘥 𝘢 𝘵𝘰𝘬𝘦𝘯—
𝘏𝘰𝘸 𝘪𝘵 𝘩𝘢𝘯𝘨𝘴 𝘶𝘱𝘰𝘯 𝘵𝘩𝘦 𝘵𝘳𝘦𝘦𝘴,
𝘈 𝘮𝘺𝘴𝘵𝘦𝘳𝘺 𝘰𝘧 𝘮𝘺𝘴𝘵𝘦𝘳𝘪𝘦𝘴!
- ‘𝘚𝘱𝘪𝘳𝘪𝘵𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘋𝘦𝘢𝘥’, 𝘌𝘥𝘨𝘢𝘳 𝘈𝘭𝘭𝘢𝘯 𝘗𝘰𝘦

'𝘗𝘩𝘢𝘯𝘵𝘢𝘴𝘮' 𝘪𝘴 𝘱𝘢𝘳𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘰𝘯𝘨𝘰𝘪𝘯𝘨 𝘖𝘯𝘸𝘢𝘦𝘤𝘯𝘢𝘯 𝘴𝘦𝘳𝘪𝘦𝘴 𝘸𝘩𝘪𝘤𝘩 𝘦𝘯𝘤𝘰𝘮𝘱𝘢𝘴𝘴𝘦𝘴 𝘸𝘰𝘳𝘬𝘴 𝘰𝘧 𝘯𝘦𝘰𝘷𝘪𝘤𝘵𝘰𝘳𝘪𝘢𝘯𝘢 𝘴𝘵𝘪𝘭𝘭 𝘭𝘪𝘧𝘦. 𝘖𝘯𝘸𝘢𝘦𝘤𝘯𝘢𝘯 𝘸𝘢𝘴 𝘪𝘯𝘴𝘱𝘪𝘳𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘢𝘳𝘵𝘪𝘴𝘵'𝘴 𝘱𝘳𝘦𝘰𝘤𝘤𝘶𝘱𝘢𝘵𝘪𝘰𝘯 𝘸𝘪𝘵𝘩 𝘰𝘶𝘳 𝘪𝘮𝘱𝘦𝘳𝘮𝘢𝘯𝘦𝘯𝘤𝘦 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘥𝘦𝘢𝘵𝘩 𝘳𝘪𝘵𝘶𝘢𝘭𝘴 𝘰𝘧 𝘤𝘶𝘭𝘵𝘶𝘳𝘦𝘴 𝘢𝘤𝘳𝘰𝘴𝘴 𝘵𝘪𝘮𝘦 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘨𝘭𝘰𝘣𝘦. 𝘗𝘶𝘭𝘭𝘪𝘯𝘨 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘷𝘢𝘯𝘪𝘵𝘢𝘴 𝘪𝘮𝘢𝘨𝘦𝘳𝘺 𝘰𝘧 𝘴𝘦𝘷𝘦𝘯𝘵𝘦𝘦𝘯𝘵𝘩 𝘤𝘦𝘯𝘵𝘶𝘳𝘺 𝘋𝘶𝘵𝘤𝘩 𝘮𝘢𝘴𝘵𝘦𝘳𝘴, 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬 𝘤𝘰𝘮𝘣𝘪𝘯𝘦𝘴 𝘤𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘮𝘦𝘥𝘪𝘶𝘮𝘴 𝘸𝘪𝘵𝘩 𝘙𝘦𝘯𝘢𝘪𝘴𝘴𝘢𝘯𝘤𝘦 𝘴𝘵𝘺𝘭𝘪𝘯𝘨 𝘵𝘰 𝘴𝘱𝘦𝘢𝘬 𝘵𝘰 𝘮𝘰𝘥𝘦𝘳𝘯 𝘷𝘪𝘦𝘸𝘦𝘳𝘴 𝘰𝘧 𝘮𝘰𝘳𝘵𝘢𝘭𝘪𝘵𝘺, 𝘤𝘰𝘯𝘯𝘦𝘤𝘵𝘪𝘰𝘯, 𝘢𝘯𝘥 𝘦𝘯𝘤𝘰𝘶𝘳𝘢𝘨𝘦 𝘪𝘯𝘯𝘦𝘳 𝘤𝘰𝘯𝘵𝘦𝘮𝘱𝘭𝘢𝘵𝘪𝘰𝘯.

Veneration of Light is an ongoing project that encompasses works of neo-Victoriana still life. The series was inspired by the artist's own contemplation on the temporality of life through observation of its ephemera, focusing on botany, taxidermy, entomology, oddities and antiques.

The collections confront nature’s cycle of life, death, and rebirth through still life photographs of exotic and domestic ephemera. In an attempt to find meaning in loss, the artist explores compositions reminiscent of the vanitas style Dutch masters of the seventeenth century.

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